Kubla Khan

Below is a short sample of the essay Kubla Khan. If you sign up you could be reading the rest of this essay in under two minutes. Registered users should login to view the essay.

Kubla Khan

Kubla Khan
If a man could pass thro' Paradise in a Dream, & have a flower presented
to him as a pledge that his Soul had really been there, & found that flower
in his hand when he awoke -- Aye! and what then?
(CN, iii 4287)
Kubla Khan is a fascinating and exasperating poem written by Samuel Taylor Coleridge (. Almost everyone who has read it, has been charmed by its magic. It must surely be true that no poem of comparable length in English or any other language has been the subject of so much critical commentary. Its fifty-four lines have spawned thousands of pages of discussion and analysis. Kubla Khan is the sole or a major subject in five book-length studies; close to 150 articles and book-chapters (doubtless I have missed some others) have been devoted exclusively to it; and brief notes and incidental comments on it are without number. Despite this deluge, however, there is no critical unanimity and very little agreement on a number of important issues connected with the poem: its date of composition, its meaning, its sources in Coleridge's reading and observation of nature, its structural integrity (i.e. fragment versus complete poem), and its relationship to the Preface by which Coleridge introduced it on its first publication in 1816.
Coleridge's philosophical explorations appear in his greatest poems. 'Kubla Khan', with its exotic imagery and symbols, rich vocabulary and rhythms, written, by Coleridge's account, under the influence of laudanum, was often considered a brilliant work, but without any defined theme. However, despite its complexity the poem can be read as a well-constructed exposition on human genius and art. The theme of life and nature again appears in 'The Rime of the Ancient Mariner', where the effect on nature of a crime against the power of life is presented in the form of a ballad. 'Christabel', an unfinished 'gothic' ballad, evokes a sinister atmosphere, hinting at evil and the grotesque. In his poems Coleridge's detailed perception of nature links scene and mood, and leads to a contemplation of moral and universal concerns. In his theory of poetry Coleridge stressed the aesthetic quality as the primary consideration. The metrical theory on which 'Christabel' is constructed helped to break the fetters of 18th-century correctness and monotony and soon found disciples, among others Walter Scott and Lord Byron.
Opium and the Dream of Kubla Khan
Coleridge's use of opium has long been a topic of fascination, and the g...

The complete article is about 5569 words and 22.28 pages long.

To continue reading the complete article, subscribe below and get free instant unlimited access.

Once you have registered for an Account, No refunds can be issued.
Please make sure you look over the site before you purchase an account!!!