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Different Depictions Of War-Saving Private Ryan And The Patriot

Below is a short sample of the essay Different Depictions Of War-Saving Private Ryan And The Patriot. If you sign up you could be reading the rest of this essay in under two minutes. Registered users should login to view the essay.

Different Depictions Of War-Saving Private Ryan And The Patriot

Different Depictions of War
Moviemakers have the power to portray the world the way they see it. And because there are so many different directors out there, we as viewers, are presented with a variety of interpretations. If a director sees love as a game, then it is so (at least until their hour and 45-minute tale of two playful lovers comes to an end). If he or she believes society to be corrupt then we will see it as such on her or his recorded picture of the world. And if one director thinks of war as completely disastrous while another sees glory in it then we would find ourselves viewing two contrasting depictions of war. Two recent films that exemplify this circumstance are Steven Speilberg’s Saving Private Ryan and Roland Emmerich’s The Patriot. Both movies are about an historic war, both were made around the same time, and yet both create an entirely different image of war. With the use of dramatic, literary, and cinematic aspects, Speilberg and Emmerich present their opinions, as well as emotions, on the screen.
Ryan takes place during World War II. Captain Miller (Tom Hanks) is given a mission to save Private James Ryan (Matt Damon), whose three brothers were killed in action. The Patriot is the story of a father of seven and veteran of the French and Indian War. Although he shows disapproval of the current American Revolution, personal vengeance makes him a hero in the war.
Although the screenplay could account for a film’s viewpoint, it is the directing that creates the visual picture. Ironically, Both Ryan and The Patriot were written by the same man, Robert Rodat. This further supports the idea that the director’s opinion on a topic is evident in her or his film, no matter what the screenwriter’s thoughts may be. Not to mention the fact that a the director usually chooses a script that suits them. Therefor, literary elements reflect the director’s perspective.
The setting in Ryan’s opening scene is a veteran cemetery where we are immediately reminded of the result of war: death. The second scene takes place on Omaha Beach, the battlefield of the tragic D-Day. Right off, we are shown that thousands died in World War II as well as what it was like. We hear soldiers praying for their lives and others praying for an accurate shot to end the life of another. Speilberg does not hesitate to plunge into the reality that in war one is either killing or dying. In The Patriot our story...

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