Marisol By Rivera

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Marisol By Rivera

Marisol, a play written by Jose Rivera, is the play I enjoyed reading the most
this semester. Rivera, one of the leading contemporary Latin American
playwrights, writes with an image. After reading Marisol, I came away with a
very specific picture of what Rivera had in mind. He easily combines the
realistic moments of life, the dangers of the Bronx, dealing with an emotionally
unstable young man, Lenny, and the friendships developed with those we work
with, with his world on the verge of apocalypse where the mundanities of life we
take for granted have changed. Marisol has elements of pure theology where
Rivera's own possible musings are written in to his characters. These elements
include the appearance of Marisol's guardian angel in Marisol's dreams, the
threat to Marisol's life in the form of a woman turned to a pile of salt and the
smoke from a fire in Ohio blocking the sun in New York City. These all occur in
the first act before the War of the Heavens begins. This play was written in the
early nineties, copyright 1992, 1994, and revised and copyrighted 1999. Rivera
was very specific in his stage directions and overall views of the design and
production of the play in order to facilitate his image. These stage directions
and other designs should be followed by the people producing his play in order
to produce the image the play means to impart to the audience. He poises a gold
crown, suspended in the air over the set, over the actors, over all of his
creation, signifying God. But this crown, this God, remains motionless, remains
detached from all the proceedings. To support his unnervingly imminently
apocalyptic world, the mundanities that we would take for granted that are
missing from Marisol's world, like the moon and the extinction of coffee, are
dropped to the audience in a conversation between June, a co-worker and
Marisol's best friend, and Marisol at work(Rivera 22-23). To accomplish the
subtlety of unnerving the audience, Rivera gives a perfect office building; two
desks, a radio, books, papers, the New York Post (Rivera 20) contrasting
perfectly with the utter absurdity of facts pouring out of their mouths. This
show should be done in a small theatre, and for design explanations, I will use
the Studio Theatre at Towson University. This will allow the action to be
closest to the audience, including them in the show. The set would consist of
three brick walls painted directly onto the walls of the theatre. The wall
behind th...

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